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See, this is the kind of thing I was talking about last night. That's the kind of copy I wish I could use on my Etsy stuff. Except, you know, I want to sell it. But it would be awesome.
OK, here's my very slightly sought after post on the process of one of my t-shirt designs, from the original photo that served as the inspiration to the finished product. Currently I'm working on a series of very minimalist portraits of early punk musicians, primarily the ones from the New York scene in the mid-70s, though obviously Joe Strummer was British. The original one of these was a drawing I did many years ago of Jules Shear, from an article or maybe even an ad in Spin magazine. Jules isn't particularly punk, I know, but it was a good drawing.
I don't have any photos of the actual embroidery in progress, because frankly I don't find that particularly interesting. If you dig that sort of thing you can look for some of the billions of embroidery tutorials that are on the internet.
I don't have any photos of the actual embroidery in progress, because frankly I don't find that particularly interesting. If you dig that sort of thing you can look for some of the billions of embroidery tutorials that are on the internet.
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So here's the photo of Joe Strummer that's the basis for my design. I found it on Pinterest, and I liked the effect of the contrast between the smoke and the curls in his hair, though I knew I wouldn't have the smoke in my final design.
I wanted to refine the design even further, to make it as minimalist as possible while still keeping it representative and fairly recognizable. If I may be self-indulgently arty, (and I may, otherwise why have a damn blog?) currently I'm into making things as linear and gestural as possible. How little can I actually put down on paper and still retain the essence of whatever it is I'm drawing? (It's awful, isn't it? Soon I'll be going on about "mark-making". Someone please kill me if that happens.)
I decided to go with the design above, and then all I had to do was the embroidery, which is the fun and easy part. It's getting easier and faster all the time, which is good from a production standpoint, and makes it more relaxing and therapeutic from a mental health one. Lord knows I need all the help I can get.
Here's a closeup. I went with red and black, because the Clash, you know? Also I had a black t-shirt. All these designs are done in stem stitch, because it's nice and linear and lets me keep some of the sketch-like quality I want. I'm getting a lot better at it, too. I hardly ever have to rip anything out anymore, and if I do, it's usually because of a mistake in the design and not the quality of the stitches.
I'm pretty pleased with how it turned out. In fact, I won't mind if nobody buys this, because I'll happily wear it myself, though seriously, check out the fucking t-shirt!
1 comment:
If you go on about "mark-making" at ANY point, ever, don't worry, I'll be the first one in line to kill you, by the Sweet Baby Jesus himself. Who, by the way, wore a whiskey barrel to the Hallowe'en party, hillbilly-style.
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